The Manual of Detection by Jedediah Berry (2009).
A classic film-noir detective
novel placed in surreal, rainy city which seems like dreaming (!) day and
night.
This is more of Jasper Fforde
territory, but this new writer aces it with amazing details and extraordinary
plot.
And, of course, with lots and
lots of wacky characters.
Story: A plus. Characters: Double
A plus.
And the setting? Work of genius!!
*This one is a bit long because
there are so many things to talk about here.
P
|
layers. –Every
single character in this book is unreal. They are all so unique and bizarre, if
I have to guess, I would think somewhere in their mind, a piece of something is
either missing or maybe, turned off. In other setting, none of them would fit
into any kind of proper storyline, but in this book, those weird characters
create amazingly surreal entertainment.
In order to
understand characters, you have to know the basic structure of this fantastic world,
I think.
The city is run/protected
by AGENCY some sort of secret company which is basically a detective agency but
do much more than the name indicates. It is a group of trained agents who guard
the society from all evils outside.
Like all
companies, there are a few levels in its pyramid like class system.
1. Watchers.-The
Top dogs. They are the ones supervising all detectives, therefore run Agency. They
overlook detectives’ caseloads and how they spend resources and everything. Only
detectives know who they are or how they look like.
2. Detectives.-People
who actually do all the leg works just like police detectives. They are the
ones that get all the credit because they are the only agents who have
authority to arrest criminals.
3. Clerks.-Clerks
are people who do all the reports and bookkeeping. There are two different kinds of
clerks in Agency: one assigns to a detective or just general clerks who does
paper works all day. I don’t know the exact ratio but it seems like there are
tons of general clerks in department compare to the detective assigned ones.
Each
detective is assign one clerk who organizes evidences and write reports so that
detectives can work their cases based on their reports.
Excellent clerks who often connect the dots
from detectives’ original memos can make detectives job a lot easier by solving
the crime even before detectives’ finish their works (kind of like arm-chair
detectives). And Charles Unwin is the best clerk the Agent’s ever have.
4. General
workers like janitors and security officers and messengers.
And then
there are couple more departments each runs secret archive of their own and
only few people even know their existence.
Each
department personal NEVER talk to each other. Clerks NEVER meet their assigned
detectives face to face or even talk to each other. Most people
don’t even know there are such people called Watchers on the top of agency
hierarchy.
So
basically, nobody knows anything and what other agents are doing except what’s
going on in their own department and if you leave your office by way of
promotion or demotion, you never contact to your previous co-workers ever.
Against Agency policy.
They keep
everything totally secret to fight against another secret evil society.
Charles Unwin. The best clerk in the history of Agency. Every other works in clerk department
is judged against Charles’ files. For example, if you do a good job, they say
something like “It’s as good as Charles’.”.
One day, out
of nowhere, he gets promoted to a detective which is crazy because clerk never
gets to become a detective ever. And this fantastic story stars from there.
He is a
meticulous man who counts and calculates every move and never out of his daily
routines. Naturally, he somewhat lacks imagination to become an effective field
agent but as case moves on, so does he. No choice.
Every
morning, he waits for a woman in the train station who is obviously waiting for
someone who never arrives. Then, after he watches her disappearing into the
traffic, he goes to work. Same time, same bicycle, same umbrella. Same coffee.
Complete routine. Every morning. Until of course he gets promoted and finds a corpse in office.
Detective Sivart. The most celebrated Detective in Agency. He
cracks almost all the important cases since Agency is established. Without him,
there is no Agency, they say. The Detectives’ Detective.
With
Charles, he solves all the famous cases like The Oldest Murdered Man, The Man
Who Stole November Twelfth, The Three Death of Colonel Baker. All of them
become legends now.
Emily. Charles’ assistant. Really energetic girl who
can do almost everything better than everyone around her. Only thing missing
from her is a confidence.
Edwin Moore. A mysterious caretaker who intentionally
erases his memory so that he doesn’t have to remember all the secrets of Agency.
Cleopatra
Greenwood. Another mysterious woman
who is an informant for Detective Sivart but the same time, works for Hoffmann too.
Nobody quite
figure out what her intentions are but she is everywhere.
Hoffmann. Ex-circus maste/magicianr and a criminal genius who tries to
take over the city with probably the most unique way I have ever encountered.
P
|
lace. – A big city where, it seems, rain never leave
the sky. Looks and sounds a lot like New York around 50’s. So it’s supposed to
be a good old time. Except, of course, it’s NOT.
The
city is filled with people who only minds their own businesses on the bright
side and weird/fascinating villains on underground and back alley.
And
then, there is a circus with all the attraction and a big tent. All of them,
however, are abandoned years ago and the circus itself becomes a huge hub for
criminals after the main magician, Hoffmann, becomes a criminal mastermind and disappears
into abyss.
P
|
lot. – As you
can see, there are a lot going on in this book and all of them are wacky and
strange, to say the least. In this kind of wild fantasy novel, you need
something to hold them all together, putting them all in line to move forward
smoothly. In this case, that something is PLOT.
Author
Jedediah Berry shows off his remarkable talent of building a story so tight and
so perfect (for this setting), once you start reading the book, you will never
get confused or feel isolated from the main storyline.
The title
“The Manual of Detection” is an actual detective manual created by a mysterious
figure in Agency which is given only to detectives so that they can refine
their skills to become even better agents. It consists of 17 chapters and each
chapter has its own subject which is analyzed and described in simple sentences
to memorize.
Now, here is
what make this book extraordinary: The actual chapter of this book very faithfully
follows the chapter of “The Manual of Detection”. I’ll get into more details.
The first
chapter of “The Manual of Detection”, the fictional manual, is called “On
Shadowing”. The actual, first chapter of this book is also called “On Shadowing”.
The second one from The Manual is called “On Evidence”, and the actual chapter
is also “On Evidence”. Do you get it?
The author,
carefully and masterfully, builds the entire plot of this book based on the
fictional manual he creates for this book. So with each chapter, Charles’
investigation follows the exact path that the fictional manual is assembled.
The chapters
in the fictional book “The Manual of Detection” goes like this:
1. On Shadowing
2. On Evidence
3. On Corpses
4. On Clues
5. On Memory
6. On Leads
7. On Suspects
8. On
Surveillance
9. On
Documentation
10.On
Infiltration
11.On Bluffing
12.On
Interrogation
13.On
Cryptography
14.On Nemeses
15.On
Skulduggery
16.On
Apprehension
17.On Solutions
18.On Dream
Detection. Now, this is the top secret chapter which is only included in top
agent Watcher’s manual. All detectives are receiving the manual with only 17
chapters, not 18.
So, in the
first chapter (On Shadowing), Charles shadows a woman of (his) interest
carefully with a hot cup of coffee. Unbeknownst him, he is also shadowed by
Detective Pith who, later, gives him a news of promotion which shocks Charles
because clerks never get to be promoted to detectives. Ever.
So in the
next chapter (On Evidence), he tries find the reason behind his shocking
promotion. Only ends up finding a dead Watcher in his office (On corpses) in
the third chapter. And with the next chapter, he is naturally looking for clues
(On Clues). And the story goes on and on following the index of the fictional
manual. Simply put, it is brilliantly done.
You have to
pay attention to every detail because they are all very carefully thought out (and
planted) and eventually every one of them just fits into one big piece of
amazing puzzle. I think THAT is the definition of the masterpiece.
Here is a
simple synopsis of the storyline.
1. One day,
Charles while shadowing the most curious woman he ever met in his life is
stopped by one of Detectives in Agency and informed that he is promoted to a
Detective, becoming one of them.
2. Charles who
loves his job (clerk) goes to floor thirty six where Watchers stay (therefore,
off limits to anyone else) and tries to complain and reverse the promotion. Only
to find out that his Watcher, Mr. Lamech is killed in his office. Who did it?
And how? Agency’s security is supposed to be air-tight.
Also, why on Earth he
gets promoted? And apparently, there is someone behind the wall hiding in
hidden trip door listening him. Why?
3. Charles also
finds out that his (kind of) superior, Detective Sivart is missing from action
possibly kidnapped by super villain Hoffmann. At this point Charles realizes
that he has left with no other choices: he has to find Sivart and a killer who
assassinates Mr. Lamech to get his old job back.
What really
amazes me at the end is just how wonderfully this story is wrapped up. Even if
the story spreads out so wide and so wild at all directions (specially
approaching the climax), at the end of the book, Jedediah Berry somehow
arranges everything in line with every single stone turned over and all the
mysteries solved with very good explanations and, believe or not, finishes the
book with very satisfying, happy end.
V
|
erdict. This is a
magical book where everything is in its right place with bright imagination and
amazing craftsmanship which probably is the definition of a masterpiece.
I hate to compare novels to films because it’s two totally different
mediums and books are 10 times better than films always, but if you want to get
a sense of what this book offers to you, please go watch the French animation
called “Triplets of Belleville” by Sylvain Chomet.
Both are masterpieces of their own genres and both possess similar
atmosphere of cool surrealism and unique humor which normal writers can’t even
dream of having it….
One of those rare fantasy/film noir mixture which works magically.